{"id":417,"date":"2024-08-12T13:59:03","date_gmt":"2024-08-12T13:59:03","guid":{"rendered":"https:\/\/datastories.maynoothuniversity.ie\/?p=417"},"modified":"2024-09-04T12:37:29","modified_gmt":"2024-09-04T12:37:29","slug":"creative-practice-transforming-space-place-and-environment-nordic-geographers-meeting-2024","status":"publish","type":"post","link":"https:\/\/datastories.maynoothuniversity.ie\/?p=417","title":{"rendered":"Creative practice: (trans)forming space, place and environment &#8211; Nordic Geographers Meeting 2024"},"content":{"rendered":"<p><strong>Authors:<\/strong> Carla Maria Kayanan and Juliette Davret<\/p>\n<p><span data-contrast=\"auto\">On the 26<\/span><span data-contrast=\"auto\">th<\/span><span data-contrast=\"auto\"> of June at the Nordic Geographers Meeting in Copenhagen, Carla Maria Kayanan presented a paper titled <\/span><b><i><span data-contrast=\"auto\">Exploring the synergy between artistic practices and academia in shaping the built environment<\/span><\/i><\/b><b><span data-contrast=\"auto\">.<\/span><\/b><span data-contrast=\"auto\"> This paper opened up the session \u201cCreative practice &#8211; (trans)forming space, place and environment, which was chaired by <\/span><a href=\"https:\/\/www.oslomet.no\/en\/about\/employee\/cecilies\/\"><span data-contrast=\"none\">Cecile Sachs Olsen<\/span><\/a><span data-contrast=\"auto\"> and <\/span><a href=\"https:\/\/forskning.ruc.dk\/en\/persons\/dpinder\"><span data-contrast=\"none\">David Pinder<\/span><\/a><span data-contrast=\"auto\">. The Data Stories team were drawn to the call for papers due to their thematic focus on the use of arts-based methods to shape the built environment. Some of the themes and\/or places featured in the two back-to-back sessions include: creative practice in London housing estates, the public toilet, bricks and racialised landscapes, aquatic geo-power and hydro-commons and using sketching as an ethical, non-invasive method of inquiry. These papers provided useful examples of scholars, artists and scholar-artists embracing art as a method to provoke social interactions, represent meaning, communicate desires and explore the impact of humans on the environment.<\/span><\/p>\n<p><span data-contrast=\"auto\">The paper we presented is a collaboration between Carla and Data Stories team member Juliette Davret. Instead of focusing on the outcomes of using arts-based methods in a research project, the paper takes a step back and builds on Carla and Juliette\u2019s ongoing inquiry into the effectiveness of research creation as method. Since Carla and Juliette have been working closely with respective artists and stakeholders, this was an opportunity to reflect on the process of research creation and lessons learnt.<\/span><\/p>\n<p><span data-contrast=\"auto\">At the time of the presentation, the team had taken on four case studies:<\/span><\/p>\n<ol>\n<li><span data-contrast=\"auto\">Housing policy stakeholders<\/span>\n<ul>\n<li><span data-contrast=\"auto\">Multi-stakeholders (government, private, public)<\/span><\/li>\n<li><span data-contrast=\"auto\">Multimodal artist<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span data-contrast=\"auto\">Data aggregator company<\/span>\n<ul>\n<li><span data-contrast=\"auto\">Private organisation<\/span><\/li>\n<li><span data-contrast=\"auto\">Creative writer<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span data-contrast=\"auto\">Civic group advocating for planning participation<\/span>\n<ul>\n<li><span data-contrast=\"auto\">Volunteer organisation<\/span><\/li>\n<li><span data-contrast=\"auto\">Multimodal artist<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span data-contrast=\"auto\">Civic group campaigning for housing justice<\/span>\n<ul>\n<li><span data-contrast=\"auto\">Activist organisation<\/span><\/li>\n<li><span data-contrast=\"auto\">Visual artist <\/span><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<figure id=\"attachment_418\" aria-describedby=\"caption-attachment-418\" style=\"width: 1618px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-418\" src=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_0.jpg\" alt=\"Image: Participants working on the storybuilding concertina created by the artist Mel Galley\" width=\"1618\" height=\"908\" srcset=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_0.jpg 1618w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_0-300x168.jpg 300w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_0-1024x575.jpg 1024w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_0-768x431.jpg 768w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_0-1536x862.jpg 1536w\" sizes=\"auto, (max-width: 1618px) 100vw, 1618px\" \/><figcaption id=\"caption-attachment-418\" class=\"wp-caption-text\">Image: Participants working on the storybuilding concertina created by the artist Mel Galley<\/figcaption><\/figure>\n<p><span data-contrast=\"auto\">According to Loveless (2019), the term research creation was already in use by the 1990s, and at this time universities in the UK and Canada were offering the first fine arts doctoral programs. By 2016, the Social Science and Humanities Research Council in Canada formalised the definition of research creation as \u201can approach to research that combines creative and academic research practices and supports the development of knowledge and innovation through artistic expressions.\u201d What is clear from this definition, and from subsequent literature on the topic (McCormack 2008, Truman 2021), is that research creation is a means for artists to claim space within the academy and to demonstrate how arts-based methods can generate new forms of knowledge. Particularly for Loveless, but also Truman, both who dedicate full sections of their books to discuss how research creation can push against neoliberal university structures, research creation is an attempt to acknowledge the intersection of arts practice, theory and research (Truman, 2021). It entails making art while constantly and consistently thinking with theory throughout the duration of the process.<\/span><\/p>\n<p><span data-contrast=\"auto\">What differs from the definition above and our work on Data Stories, is that researchers on the project are not artists. Rather, artists are contracted at the start of the process to help shape decisions around case study selection and workshop design. This means that the researcher, with a pre-defined research agenda, and an artist, with a pre-defined practice, collaborate. The following schema demonstrates variations on the relationships:<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-421 aligncenter\" src=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_1.jpg\" alt=\"\" width=\"1350\" height=\"968\" srcset=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_1.jpg 1350w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_1-300x215.jpg 300w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_1-1024x734.jpg 1024w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_1-768x551.jpg 768w\" sizes=\"auto, (max-width: 1350px) 100vw, 1350px\" \/><\/span><\/p>\n<p><span data-contrast=\"auto\">One approach to research creation is Foley\u2019s (2016) \u2018inreach\u2019 research design. In this situation, a \u2018foil\u2019 oversees a research creation process, and a \u2018catalyst\u2019 is the stakeholder interested in exploring something (see also Kitchin [2023] summary of this process). Collectively, the foil and the catalyst work together to develop a \u2018seed\u2019 for a workshop, the seed being an issue to be explored. In the case studies we are conducting, the artist + researcher pair bring in the stakeholder later in the process. Meaning, the artist + research pair provide a frame for the stakeholders to explore a pre-designated seed.\u00a0 A more impactful research creation model where stakeholders are inculcated in the process and contribute their voice to selecting a research question and determining the artistic medium to explore the question would look like this:<\/span><\/p>\n<p><span data-ccp-props=\"{}\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-422 aligncenter\" src=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_2.jpg\" alt=\"\" width=\"822\" height=\"878\" srcset=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_2.jpg 822w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_2-281x300.jpg 281w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_2-768x820.jpg 768w\" sizes=\"auto, (max-width: 822px) 100vw, 822px\" \/><\/span><\/p>\n<p><span data-contrast=\"auto\">Of course, the artist, the researcher and the stakeholder each have different modes of working, timelines, rhythms and pressures that structure their ways of thinking and being. Therefore, it is only logical to assume that a simplified schema would exhibit variations in collaboration styles:<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-425 aligncenter\" src=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_3.jpg\" alt=\"\" width=\"1289\" height=\"1217\" srcset=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_3.jpg 1289w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_3-300x283.jpg 300w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_3-1024x967.jpg 1024w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_3-768x725.jpg 768w\" sizes=\"auto, (max-width: 1289px) 100vw, 1289px\" \/><\/span><\/p>\n<p><span data-contrast=\"auto\">One way to think through these complications is to embrace Loveless\u2019 (2019) concept of research creation being <\/span><b><span data-contrast=\"auto\">less about the identity <\/span><\/b><span data-contrast=\"auto\">(who is doing what), or the <\/span><b><span data-contrast=\"auto\">act<\/span><\/b><span data-contrast=\"auto\"> (what is being produced and how) and more about <\/span><b><span data-contrast=\"auto\">the output of the research<\/span><\/b><span data-contrast=\"auto\"> (research + creation + experiment). When considering output as focus, the schema looks like this, where research creation (RC) is at the heart of the process:<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-424 aligncenter\" src=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_4.jpg\" alt=\"\" width=\"1851\" height=\"1035\" srcset=\"https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_4.jpg 1851w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_4-300x168.jpg 300w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_4-1024x573.jpg 1024w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_4-768x429.jpg 768w, https:\/\/datastories.maynoothuniversity.ie\/wp-content\/uploads\/2024\/08\/Picture_4-1536x859.jpg 1536w\" sizes=\"auto, (max-width: 1851px) 100vw, 1851px\" \/><\/span><span data-contrast=\"auto\">Having now gone through variations on the process of research creation, we are also encountering the benefit of process over outcomes. It is within this space where novel thinking has emerged. Perhaps the perceived benefits of process over outcome reflect the stage we find ourselves at this point in time in Data Stories. The researchers and artists are in the process of wrapping up the first set of case studies and are thus in the space of thinking through what occurred. Outcomes of our efforts are yet to be determined, and some, such as changing ways of thinking, may manifest much further down the line in ways that might not display direct links to Data Stories, but where Data Stories may have been catalytic.<\/span><\/p>\n<p><span data-contrast=\"auto\">Acknowledging the above, Carla wrapped up the presentation by specifying the exploratory nature of the presentation but highlighting how the topic is ripe for theory. Gordon (2008) comments on the importance of research creation for expanding ways of seeing that are &#8220;less mechanical, more willing to be surprised and to link\u202fimagination with\u202fcritique&#8221; and McCormack (2008) discusses the importance of research creation in creating thinking-spaces that allow one to learn to become affected. In this way, research creation can invite stakeholders (as well as the artists and researchers) to reflect on their data practices and to allow space for speculative thinking and flexing the imaginary to consider what kinds of places they want to build and how to get there.<\/span><\/p>\n<p><span data-contrast=\"auto\">The Data Stories team aims to contribute to the development of new theories and methodologies around research creation. However, we&#8217;re still in the early stages of our work in this area and this blog post is an open-ended reflection. Please contact us if you would like to discuss this topic further and have insights to share. We are interested in hearing from scholars and artists engaged in research creation so to develop an organised session around this theme at the AAG or a similar conference of international standing.<\/span><\/p>\n<p><span data-contrast=\"auto\">Contact: <\/span><a href=\"mailto:Carla.Kayanan@mu.ie\"><span data-contrast=\"none\">Carla.Kayanan@mu.ie<\/span><\/a><span data-contrast=\"auto\"> and <\/span><a href=\"mailto:Juliette.Davret@mu.ie\"><span data-contrast=\"none\">Juliette.Davret@mu.ie<\/span><\/a><\/p>\n<p><strong>Works referenced:<\/strong><\/p>\n<p><span data-contrast=\"auto\">Foley, J. (2016). inreach: A Choreographic process of transversality. Unpublished PhD, Trinity College Dublin.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Gordon, A. F. (2008). Ghostly matters: Haunting and the sociological imagination. U of Minnesota Press.<\/span><\/p>\n<p><span data-contrast=\"auto\">Kitchin, R. (2023). Arts-based methods for researching digital life. Available at: <\/span><a href=\"https:\/\/mural.maynoothuniversity.ie\/16870\/1\/DS%20WP1%20Arts%20based%20methods.pdf\"><span data-contrast=\"none\">https:\/\/mural.maynoothuniversity.ie\/16870\/1\/DS%20WP1%20Arts%20based%20methods.pdf<\/span><\/a><span data-ccp-props=\"{}\"><br \/>\n<\/span><\/p>\n<p><span data-contrast=\"auto\">Loveless, N. (2019). How to make art at the end of the world: A manifesto for research-creation. Duke University Press.<\/span><\/p>\n<p><span data-contrast=\"auto\">McCormack, D. P. (2008). Thinking-spaces for research-creation. Inflexions, 1(1), 1-16.<\/span><\/p>\n<p><span data-contrast=\"auto\">Truman, S. E. (2021). Feminist speculations and the practice of research-creation: Writing pedagogies and intertextual affects. Routledge.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Authors: Carla Maria Kayanan and Juliette Davret On the 26th of June at the Nordic Geographers Meeting in Copenhagen, Carla Maria Kayanan presented a paper titled Exploring the synergy between artistic practices and academia in shaping the built environment. This paper opened up the session \u201cCreative practice &#8211; (trans)forming space, place and environment, which was &hellip; <a href=\"https:\/\/datastories.maynoothuniversity.ie\/?p=417\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Creative practice: (trans)forming space, place and environment &#8211; Nordic Geographers Meeting 2024<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-417","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=\/wp\/v2\/posts\/417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=417"}],"version-history":[{"count":5,"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=\/wp\/v2\/posts\/417\/revisions"}],"predecessor-version":[{"id":442,"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=\/wp\/v2\/posts\/417\/revisions\/442"}],"wp:attachment":[{"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/datastories.maynoothuniversity.ie\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}